Bystanders
BYSTANDERS: an audio play
by the author of last season’s hit
The Victorian Ladies Detective Collective
Listen to the Audio Play
written by Patricia Milton
directed by Gary Graves
engineering, editing, and audio design by Gregory Scharpen
performed by Maria Marquis and Kimberly Ridgeway
In the wake of a tragic and senseless act of gun violence, two women strive to connect despite their grief and guilt. One is fed up with clichéd calls for “thoughts and prayers.” She has a secret, daring plan to put an end to the violence once and for all. But will her idea work … or might it create even more trauma? Inside a culture that’s inundated with news of everyday shootings, two citizens struggle to understand their duties as bystanders.
production sponsor: Ann Singer
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Bios
Maria Marquis (Hannah) is a Bay Area based theatre and voiceover actor, as well as corporate trainer committed to making work less boring. She is the recipient of Theatre Bay Area’s Best Principal Actress award for her work in the world premiere production of The Awakening with Breadbox Theater, and she has appeared numerous times with Dragon Productions and City Lights Theater Company where she received a nomination for Best Principal Actress in The Merchant of Venice and Silent Sky. You can learn more about Maria at mariagmarquis.com, and find her audiobooks on Audible. Thank you for supporting theatre in the time of COVID!
Kimberly Ridgeway (Zayne) has been working professionally as an Actor, Director, Playwright and Producer in film and theater for over 20 years. Kimberly wrote, produced and directed the stage plays No More Secrets, Prospect Place, Heavy Burdens and The Gigolo Chronicles, and the short film The Confession. Kimberly has directed projects for Bay Area Drama Company, Dragon Productions Theatre Company, Ubuntu Theatre Project, Bay Area Performing Arts Collective, Playwrights Center of San Francisco and TheatreFirst. Some notable acting roles include Mrs. Muller, Doubt, Coretta Scott King/Fannie Lou Hamer, All the Way, Duchess, Wonderland (World Premiere), Biz, The Human Ounce (World Premiere) and Camae in Contra Costa Civic Theatre’s The Mountaintop for which she won the 2016 BroadwayWorld San Francisco Award for Best Leading Actress in a Play (Local).
Patricia Milton (playwright) is a Resident Playwright for Central Works and a long-term member of the Central Works Writers Workshop. Plays written for Central Works include: The Victorian Ladies’ Detective Collective (2019), Bamboozled (2018 Outstanding Production; Ensemble; Finalist, Outstanding World Premiere Play, TBA Awards), Hearts of Palm (2016), Enemies: Foreign and Domestic (2015), and Reduction in Force (2011). She is a recipient of the 2015 Outstanding World Premiere Play by Theatre Bay Area for Enemies: Foreign and Domestic. The Victorian Ladies’ Detective Collective was presented by the International House of Theatre outdoors in Copenhagen in July 2020. Her comedy Believers has enjoyed productions in Monterey and San Francisco, and played for three years in Istanbul, Turkey. Her drama about the death penalty, Without Mercy, was presented at the Newfoundland Women’s Work Festival and was produced in 2017 by Off Broadway West Theatre Company in San Francisco. Upcoming at New Conservatory Theatre is an audio version of her comedy The Law of Attraction, commissioned by NCTC. Ms. Milton has had more than one hundred productions and readings of her plays both locally and internationally, including at 3Girls Theatre, San Francisco Exploratorium, PlayGround SF, Woman’s Will, Women’s Theatre Project, Bay Area One Acts, and City Lights Theatre. She is Northern California Regional Rep for The Dramatists Guild, and produces a monthly podcast for the Central Works Script Club.
Gary Graves (director) has been a resident playwright and company co-director at Central Works since 1998. He has been a part of developing 67 world premiere productions with the company, many of which he has either written and/or directed. Some of the other productions he has directed for the company include The Lady Matador’s Hotel, Bamboozled, King of Cuba, Chekhov’s WARD 6, Into the Beautiful North and Machiavelli’s The Prince. He directed the company’s first collaboratively developed script, Roux, at the Berkeley City Club in 1997. He also leads the Central Works Writers Workshop, an ongoing development and commissioning program, and he teaches playwriting year-round at the Berkeley Rep School of Theater.
Gregory Scharpen (engineer/editor/audio designer) has designed for Central Works since the late 90s, and his work has appeared in productions by Shakespeare Santa Cruz, Shotgun Players, Theatre Rhino, TheatreFIRST, The Breadbox, and many others. His is also a documentary film editor (Have You Heard from Johannesburg; The Whistleblower of My Lai; and an upcoming feature about inventor/curmudgeon Don Buchla); and he helms numerous radio programs on KALX 90.7 fm. Under the moniker Thomas Carnacki, he concocts, records and performs experimental music that has garnered international acclaim. He is the recipient of a SF Bay Area Theater Critics Circle Award (for Central Works’ Mesmeric Revelation), a Golden Eagle CINE Award (for Al Helm), and one of the very infrequently bestowed Jolly Trephination Awards for Total Textual Immersion.
